I have been feeling the need to get away and collect myself for a bit, so I decided to take this week and drive down to Toccoa, GA and spend some time with a group of my old college friends. Toccoa is beautiful this time of year. It is right on the edge of the southernmost Appalachians. The area is full of dense forests, mountain streams, and plenty of waterfalls.
Yesterday I decided to take a walk in the woods and try to get some thinking done. The forest canopy was thick and all along the way I was sung to by choruses of birds. As I walked along the forest path along gentle streams and amidst wildflowers blooming, I could feel my spirits lifting just being outside in creation.
Maybe you believe in a higher power, maybe you don’t. Regardless, looking at nature you’ve got to appreciate how excessive it all is. There are so many textures, sounds, colors, it is mind boggling. I remember reading once that the human brain must quickly develop an ability to focus on certain details, or else our minds would overload. We are never, it seems, wholly conscious of everything that is going on, everything that we could be aware of. A grown oak tree has millions of leaves. The natural world has an absurd amount of detail.
I was taking all this in when I heard the laughter of my favorite bird, the Pileated woodpecker. If you’ve never heard their call, it is really quite thrilling and nearly impossible to mistake (worth checking out online). The German theologian Jergen Moltmann once said, “Creation is God’s play, play of his groundless and inscrutable wisdom. It is the realm in which God displays his glory.” I can believe that when I hear the Pileat. Incidentally, in the southern Appalachians, Pileated Woodpeckers were sometimes referred to as “The Lord God Bird.”
The creator was at play when he made the world. It was frivolous, excessive, an act that needed no purpose, justification, or motivation. From Moltmann again, the creator “did not have to create something to realize himself. As we were saying, he has brought forth his creation to enjoy it.” And the creation, in turn, enjoys itself. Why does a Sparrow sing or The Lord God Bird laugh? It sings itself. It needs no reason to sing. It sings to enjoy its song, to delight in its very existence. The bird’s only purpose, if it can be called a purpose, is to take joy in its existence, in the existence of the creation surrounding it, and in the existence of its creator. The birdsong is the vehicle which The Lord God Bird uses. This is the demonstrative joy of existence.
But existence itself, the creation, is marred. When we speak of joy we must inevitably speak of sorrow. The birds have forgotten how to enjoy humanity and we have forgotten to enjoy The Lord God Bird. Pain and death are realities, and they are found in birdsong. For each laugh that The Lord God Bird lets out, there is another song of sorrow heard with equal frequency.
So we humans must learn remember to make song, to find joy in our very existence, in the existence of creation, and in the existence of the creator. We do that through play, through creativity, through purposeful living, through listening to birdsong. We also sing our sorrow, and there must be a place for that. Andrew Bird, so aptly named, demonstrates demonstrative joy in existence. I finally realized why I like him so much. His lyrics may not necesarily have purpose or meaning that I can fully understand, but his songs are like beautiful games to me. Again, Moltmann says, “a game is meaningful within itself but it must appear useless and purposeless from an outside point of view.” His songs pervade joy, and in an instant, sorrow.
I am sparrow, myself I sing. No more is needed. This post is a conglomerate of thoughts inspired by Jurgen Moltmann, Annie Dillard, Andrew Bird, and of course, The Lord God Bird.



Recent Comments